{"id":1417,"date":"2021-04-08T20:11:56","date_gmt":"2021-04-08T20:11:56","guid":{"rendered":"https:\/\/herkafadanses.com\/?p=1417"},"modified":"2021-04-08T20:22:51","modified_gmt":"2021-04-08T20:22:51","slug":"the-glass-harmonica-1968","status":"publish","type":"post","link":"https:\/\/herkafadanses.com\/en_us\/the-glass-harmonica-1968\/","title":{"rendered":"The Glass Harmonica (1968)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Andrei Khrazhanovsky&#8217;nin Sovyetler Birli\u011fi taraf\u0131ndan a\u015f\u0131r\u0131 anar\u015fizm ve imgeleri nedeniyle yasaklad\u0131\u011f\u0131 animasyon film hatta Andrei, Glass Harmonica y\u00fcz\u00fcnden iki y\u0131l ordu g\u00f6revi bile yapm\u0131\u015f, yakla\u015f\u0131k 20 dakika uzunlu\u011funda. Filmde \u00e7e\u015fitli sanat ak\u0131mlar\u0131ndan ve onlar\u0131n sanat\u00e7\u0131lar\u0131ndan \u00e7izgiler ve karakterler g\u00f6rmek m\u00fcmk\u00fcn. Meyvelerle ill\u00fczyon yaratan portrelerin ak\u0131mlar\u0131ndan tutun da s\u00fcrrealizme kadar \u00e7e\u015fitlilik bulunuyor ve bence bu \u00e7e\u015fitlilik filme distopik havay\u0131 ba\u015far\u0131l\u0131 \u015fekilde yans\u0131t\u0131yor. Kullan\u0131lan \u00e7izim tekni\u011fi de Rene Magritte&#8217;nin tekni\u011fine \u00e7ok benziyor, yine bu teknik filme tuhafl\u0131k ve korkuyu g\u00fczelce i\u015flemeye yard\u0131mc\u0131 olmu\u015f.<\/p>\n\n<p>Film ksaca, bir zanaatk\u00e2r\u0131n insanlara umut, sevgi, iyi niyet ve duygular uyand\u0131rabilen bir m\u00fczik aleti yapmas\u0131yla ba\u015fl\u0131yor. Hik\u00e2ye burada hem bir son buluyor hem de ufac\u0131kta olsa k\u00fc\u00e7\u00fck bir \u00e7ocukta filizleniyor. \u00c7\u00fcnk\u00fc zanaatk\u00e2r m\u00fczi\u011fini \u00e7almaya ba\u015flad\u0131\u011f\u0131 ve etraf\u0131nda halk\u0131 toplad\u0131\u011f\u0131 anda sar\u0131 \u015feytan\u0131 avcunda tutan b\u00fcrokrat\u0131m\u0131z devreye giriyor ve cam armonikay\u0131 par\u00e7al\u0131yor. Armonikan\u0131n uyand\u0131rd\u0131\u011f\u0131 umudu avcunda saklayan genci halktan biri b\u00fcrokrat\u0131m\u0131za s\u00f6yl\u00fcyor ve par\u0131l par\u0131l bir sar\u0131 alt\u0131n kazan\u0131yor. Gen\u00e7 uzaklara g\u00f6t\u00fcr\u00fcl\u00fcyor umudu da yerde soluyor. Sonra bu b\u00fcrokrat herkese para vererek halk\u0131n etraf\u0131nda topland\u0131\u011f\u0131 ve belli ki \u00f6nem arz eden saat kulesini ya\u011fmalatt\u0131r\u0131yor. Ve herkes de b\u00fcy\u00fck bir a\u00e7g\u00f6zl\u00fcl\u00fckle kuleyi talan ediyor. B\u00fct\u00fcn bunlar olurken yerdeki solan \u00e7i\u00e7e\u011fi de k\u00fc\u00e7\u00fck bir \u00e7ocuk al\u0131yor. Halk o kadar a\u00e7g\u00f6zl\u00fc ki evlerinden birbirlerinin para sand\u0131klar\u0131n\u0131 izliyorlar ve tek bir kuru\u015f i\u00e7in bile insanl\u0131klar\u0131ndan \u00e7\u0131k\u0131yorlar. <\/p>\n\n<p>B\u00fcrokrat\u0131n b\u00fcy\u00fck seremoni tarz\u0131 davul sesleriyle halk sar\u0131 \u015feytan\u0131n \u00f6n\u00fcnde birbirini eziyor, herkes o kadar canavarla\u015fm\u0131\u015f ki g\u00f6zleri hi\u00e7bir \u015fey g\u00f6rm\u00fcyor.<\/p>\n<p>Sa\u00e7lar\u0131ndan \u00e7ubu\u011fa ba\u011flanm\u0131\u015f olan iki kad\u0131n ve dengesi bir erke\u011fin elinde bir a\u015fa\u011f\u0131 bir yukar\u0131 hareket ediyor yine kafesin i\u00e7inde dans eden y\u00fczs\u00fcz bir kad\u0131n, daha b\u00fcy\u00fck olan\u0131n s\u00fcrekli eze eze \u00f6ne ge\u00e7mesi ve bunun gibi bir s\u00fcr\u00fc imge ve sembollerle bezenmi\u015f bir sahne. Bu esnada da \u00e7i\u00e7e\u011fini herkesten gizli ye\u015ferten \u00e7ocuk \u015fehirden uzaklara gidiyor. Bu s\u00fcre\u00e7te de insanlar her \u015feyi, herkesi t\u00fcketmi\u015f ve insanl\u0131klar\u0131ndan tamamen uzakla\u015fm\u0131\u015f vaziyette o karanl\u0131k atmosferin i\u00e7inde s\u00fcr\u00fckleniyorlar.<\/p>\n<p>Tam bu noktada elinde cam armonikas\u0131yla k\u00fc\u00e7\u00fc\u011f\u00fcm\u00fcz b\u00fcy\u00fcm\u00fc\u015f vaziyette geri d\u00f6n\u00fcyor. Cam borulardan y\u00fckselen ses insanlar\u0131n ruhuna tekrardan iyili\u011fi ve g\u00fczelli\u011fi \u00e7i\u00e7eklerle da\u011f\u0131t\u0131yor. Payla\u015fmay\u0131 \u00f6\u011frenen insanlar deforme olmu\u015f formlar\u0131ndan \u00e7\u0131k\u0131p insana benziyorlar ve payla\u015ft\u0131k\u00e7a daha da g\u00fczelle\u015fiyorlar, insanlarla birlikte koca \u015fehir bile o karanl\u0131k atmosferden \u00e7\u0131k\u0131yor ve g\u00fczelle\u015fiyor. Sevmeyi ve sevilmeyi yeniden \u00f6\u011freniyorlar.<\/p>\n\n<p> \u0130\u015fte burada b\u00fcrokrat\u0131m\u0131z tekrardan kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor ve elini s\u0131ms\u0131k\u0131 vaziyette gencimizin omzuna at\u0131yor armonikay\u0131 da ikinci kez tekrar k\u0131r\u0131yor ve halka sar\u0131 \u015feytan\u0131 bir kere daha sunuyor ama \u00e7i\u00e7ekler \u00e7oktan halk\u0131n eline ge\u00e7mi\u015f ve elden ele payla\u015ft\u0131k\u00e7a \u00e7o\u011falm\u0131\u015f ve durdurulamaz bir hal alm\u0131\u015f. B\u00fcrokrat burada s\u0131rt\u0131n\u0131 d\u00f6n\u00fcp \u015fehirden uzakla\u015f\u0131yor halk da kendi eliyle saat kulesinden ald\u0131klar\u0131n\u0131 yerine geri koyuyor.<\/p>\n<p>\u00a0 \u00a0 -SON-<\/p>","protected":false},"excerpt":{"rendered":"Andrei Khrazhanovsky&#8217;nin 1968 yap\u0131ml\u0131 distopik ama umut aray\u0131\u015f\u0131nda olan animasyon filmi.","protected":false},"author":3,"featured_media":1421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[7],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/herkafadanses.com\/en_us\/wp-json\/wp\/v2\/posts\/1417"}],"collection":[{"href":"https:\/\/herkafadanses.com\/en_us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/herkafadanses.com\/en_us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/herkafadanses.com\/en_us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/herkafadanses.com\/en_us\/wp-json\/wp\/v2\/comments?post=1417"}],"version-history":[{"count":0,"href":"https:\/\/herkafadanses.com\/en_us\/wp-json\/wp\/v2\/posts\/1417\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/herkafadanses.com\/en_us\/wp-json\/wp\/v2\/media\/1421"}],"wp:attachment":[{"href":"https:\/\/herkafadanses.com\/en_us\/wp-json\/wp\/v2\/media?parent=1417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/herkafadanses.com\/en_us\/wp-json\/wp\/v2\/categories?post=1417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/herkafadanses.com\/en_us\/wp-json\/wp\/v2\/tags?post=1417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}